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Orange in the Land of Bridespire

Updated: Jul 20

The Myth and Majesty of Orange in Indian Fashion

In the world of fashion, orange has always been a paradox. It is bold yet grounded and festive yet earthy. It’s a colour that demands attention but could create more chaos than charisma. From the sacred saffron robes to the zesty tangerine sarees, orange is extremely auspicious in the Indian culture and the perfect colour for brides to wear. When style thoughtfully, it complements the fabric and the person wearing it. So let us delve into everything there is to know what to do with just this one colour,“ORANGE”.


Fashion illustration of an orange bridal outfit with floral and temple embroidery, inspired by the mythical land of Bridespire

The Realm of Bridespire

There is a world hidden far behind sill stores and couture studios. A place untouched by inspirational mood boards and bridal WhatsApp groups. This world is called bridespire, it is a mystical realm where no brides live yet everything that makes up a bride is born. Here, lehengas breathe, colours have a temper, fabrics fall in love, and ideas walk in and out of ateliers like muses. Bridespire is a place where visions are whispered into the minds of designers and slowly take form in the real world.


Among all the colours of Bridespire, there lived orange. It was bright, unapologetic, fiery but it was also avoided and misunderstood. She had spent years watching blush link being adored for her softness, red being respected for her legacy, ivory being celebrated for her calm grace and pastel colours becoming the trend of every spring season. And everytime a design was summoned from Bridespire into the real world, orange would hope it was her moment. But most times, she was left behind and remembered only for haldi ceremonies or dismissed by brides. That was only until today.

Bride wearing a burnt orange lehenga with intricate zardozi and mirror embroidery, styled for a royal Indian wedding look

Orange Takes a Stand

It was the morning of grand bridal summit in Bridespire. Every colour was preparing to be showcased, hoping to catch the attention of the Dream Cloud, a magical mist that carried design inspirations into the minds of human creators. Orange however was not preparing. She was storming down the Amber Bridge with a determined drape and fire in her eyes.“I’m not a festival, I am not a joke, I am legacy and I carry warmth. And today I will walk through every chamber of this land and show them that I belong.”Although she was extremely confident, she had various questions in her mind like, “What fabric will go with me? What choice of fabric would go with orange.?”


The Fabric Fields

That is when, she walked down towards the fabric fields, where endless yards of cloth flowed like rivers and whispered stories with every ripple. Silk noticed her first. He wrapped himself around her shoulders, and suddenly orange became more deeper and more regal. The sheen of silk calmed her brightness, adding elegance without dimming her fire. “You were made for me.” Silk whispered, and orange believed him. Then came chiffon, fluttering around her ankles like petals. With chiffon she became sunshine in motion, light, effortless and poetic.


Organza followed, wrapping her like mist, giving her a dreamy glow while velvet walked by slowly, giving her richness and gravity, transforming her into dusk wrapped in royalty. Every fabric gave orange a new life, a new mood. She wasn’t just one shade anymore, she could be tangerine joy, burnt ochre pride or saffron grace. And suddenly, she saw what she had never seen in herself before, a range.


The Colour Chamber

After visiting fabric fields, orange gained more confidence about herself. She now decided to pair herself up with different colours in order to see what would go with her the best. She started thinking, “What colour goes with orange the best?” And that is when she reached the colour chamber. Here colours learned their roles. Pink was telling a story about romance, green was arguing with yellow over mehendi dominance, blue was asleep in a puddle of velvet. Orange stepped into the centre, her skirt flickering like a Diya. The room stilled. A golden mannequin spun towards her, dressed in an orange skirt so vibrant that it could even ignite a mirror. But the blouse instead of being orange, wasn’t orange. It was beige, decorated with sequins that caught light like river shimmer. Orange tilted her head in confusion, in an unexpected manner. Another mannequin stepped forward, this one whore a bottle green blouse, velvet and heavy, against an orange brocade skirt threaded in zardozi. It looked royally magnificent, like a winter bride marrying under mango trees at dusk. Then came forward fuchsia, Rani pink. A backless blouse embroidered in mirror work, laughing above a flirtatious orange lehenga. Orange grinned, this was her theatre, she was finally feeling worth it. As she twirled, the mannequins twirled with her. Some in full orange, layered in threadwork and mirror work. Some were contrasting skirts, white, cream and even indigo. Orange finally realised how lyrical she was.

Fashion illustration of an orange bridal outfit with floral and temple embroidery, inspired by the mythical land of Bridespire.

The Drape Dome

After playing with colours, she stepped into the Drape Dome. It was an open air arena where dupattas hung like prayers between pillars. Some whispered in net, some sang in organza and some sulked in silk. Orange reached out to a sheer tulle dupatta with tiny sequins, the kind that catches candle light and secrets both. She wrapped it across her shoulder in a classic pleat which was safe and elegant. But she wanted more. She picked up another dupatta, heavier, brocade with a golden border. She placed it over her head. It felt…… bridal. Then came the fun, she draped it diagonally like a saree, letting the border surround her waist like a garden of flowers. She belted it with a kalangi studded sash. She swirled it over one shoulder like a cape. Each drape carried a different mood but made her feel like a bride.

Polki diamond choker with orange sapphires styled with temple jewellery, perfect for pairing with orange bridal wear.

The Jewelled Junction

After being mesmerised with different draping styles, orange then moved forward to the Jewelled Junction. It was less of a room and more of a revelation. Jewellery shimmered and glimmered in the Jewelled Junction. They hung suspended in glass air, humming tunes from bridal pasts and futures alike. Orange entered, unsure. She had always been told she was “too much” and in a world where pearls were elegant and diamonds were a woman’s best friend, what place did she have being paired up with jewellery? She immediately thought to herself, “What jewellery would match with Orange?”But then, the first thing she saw, silenced every doubt of hers. It was a choker but not just any choker, it was a statement of defiance. Polki diamond set in thick gold, with flecks of orange sapphire glinting like tiny flames. As she reached for the necklace, the necklace floated closer, like it had been waiting to be paired up with orange all this while. She fastened it at the base of her throat, her reflection shifted, her shoulders pulled back and her presence doubled. Next came the earrings, she saw jhumkas, heavy with uncut stones. She wandered past cabinets of temple jewellery, heritage prices drenched in history, with Lakshmi motifs and coral beads. One necklace wrapped itself around her like a prayer. Then came a surprise, oxidised silver. She tried it with an orange cotton lehenga, the kind would wear to a sunset wedding under trees. She paired green meenakari bangles with a tangerine blouse and a delicate Nath ringed around with pearls that made her laugh heartily when she looked at herself in the mirror. Orange was learning confidently.


The Vanity Vault

If Jewelled Junction gave orange her voice then Vanity Vault taught her how to use it. The room was filled with scent of sandalwood, rose, jasmine and attar. The mirrors here reflected who one could become. Orange stepped in and the lights dimmed to her tones. One mirror showed her as a haldi bride, skin fresh with ubtan, cheeks flushed coral, lips soft peach, hair twisted into a braid wrapped with marigolds and Mogra. Another mirror swirled to life, this time it was deeper look. An evening bridal look. Her eye lids shimmered in copper and bronze, lined thick with Kajal. Her lips were in a beautiful burnt orange shade. A bridal bindi sat like punctuation above her eyebrows. She stepped closer to the dressing table and touched the compact. Her skin glowed. She sat there at the Vanity Vault and played. First she tried a messy bun with Gajra pinned low at nape, she undid it and created waterfall waves, she imagined herself in a side parted braid, then a half up crown with orange roses. Every look told a tale of different people who would wear orange and how they’d end up looking in that colour.


The Shoe Studio

At last, orange stepped into the shoe studio. Here sound was everything. Each step rang out on mosaic floors, chik-chik from juttis, click-click from heels, and a mischievous pat pat from barefoot ankles that danced of their own accord. Orange reached for the pair of the first pair that sparkled at her, mirror work juttis, sharp at the toe but soft at the sole. As she slid them on, her entire body relaxed, these were the shoes one wore to greet elders, to bend at the mandap, to kick off in the middle of the sangeet and dance with abandon. Next, she slipped into platform heels with antique gold. She imagined herself walking into a wedding hall, neck held high, lehenga brushing polished marble. The click of her heel pronouncing her presence before her smile could. But the shoe studio had more, block heels in dusty orange, paired with gota straps that wrapped around the ankle like mehendi vines. Kolhapuris with toe rings, earthy and raw, a pair of embroidered wedge sandals that screamed destination wedding in Jaipur. The shoe studio had created magic for orange to finish her entire look.

Traditional mirror work juttis in silver, styled with a bold orange lehenga for a festive bridal ensemble.

The Bride in Orange

After a lot of trial and error at the different stops of Bridespire, orange thought to herself about how universal she was. A wedding guest could also wear her and a bride could also look royal in her. She started to think to herself, “How should I dress up as a bride in an orange lehenga? ”That is when she reimagined herself. She picked a lehenga with a bold base of burnt orange, drenched in fine gotta patti, mirror work and zardozi. Her blouse bore structured shoulders, but softened with floral embroidery in hues of gold pink and off white. She added a scalloped dupatta with heavy borders, embroidered with temple arches and motifs of elephants and leaves. Orange adorned herself in temple jewellery, choker, Rani haar, jhumkas and a sleek maang tikka set in antique gold. Her bun was tight lined with gajra, and soft dewy makeup with warm peach tones. She felt beautiful.


The Wedding Guest in Orange

After adoring herself as a bride, she thought to herself, “what if a wedding guest also wants to wear me as a colour? It is possible that someone might be in the mood to wear orange without outshining the bride.” After thinking about “What should one wear as a wedding guest in orange colour options?” The answer finally came to her. As a guest, she wore a lightweight sharara in a tangy turmeric silk, paired with a mint green short Kurti embellished with tiny foil mirror droplets. Her dupatta was a sheer organza dipped in saffron with minimum gota lines.Her jewellery was simple, diamond studs, stacked bangles and no necklace. Her hair was styled into a messy wavy braid, with lightweight makeup. She looked as if the groom’s charming brother would definitely fall for her, which is the fantasy of every girl at an Indian wedding.

Tangy turmeric silk sharara with mint green short kurti and foil mirror work, a vibrant wedding guest outfit.

The Grand Bridal Summit

Finally, the grand bridal summit was underway and the entire realm was buzzing. Each colour had brought their best looks forward, silvers shimmered, emeralds dazzled and ivory floated like clouds. But all eyes turned as orange stepped before the dream cloud where only the finest bridal ensembles transformed into real world visions.The lehenga was a fiery shade of vermillion orange spread across its length like sky at sunset. Embroidered elephants and architectural motifs stood like watchful guardians in metallic gold and cream. Pink and white floral clusters broke the monotony whispering of springtime joy. The hemline carried an antique border that looked like miniature temples.The blouse was divine with elbow length sleeves covered in hand embroidery and a sweetheart neckline, sequins, glass beads and threadwork swirled together like Raga. The fitting was structured, almost corset like holding the chaos of art in a disciplined form. The dupatta was a masterpiece in itself. Drenched in burnt orange silk, with elaborate border work of Palatial architecture and floral vines. It had smaller beautiful buta work all over and was draped flawlessly. Her hair was tied into a low braided bun, decorated with mogra and peach roses, the makeup was warm, terracotta lids, winged liner, bronzed cheeks and burnt coral lips. Handcrafted juttis completed the entire look with pink threadwork and mirror accents. When she appeared in front of Dream cloud, it happened. A golden shimmer floated into the air, and far away in the real world, a designer somewhere paused her sketch, looked up and smiled. She had just seen it, a burnt orange lehenga with heavy work. Orange had won this year’s summit. And overtime, the imagination of the designer was crafted in the form of reality and chosen by multiple brides.

Bride selecting a burnt orange lehenga at a boutique, symbolizing the journey from imagination to reality.

A Bride in the Real World

Back in the real world, on a fine Thursday morning, Shanaya walked into a bridal studio with the perfect lehenga that she had imagined in her mind. As soon as she walked in, the first thing she said to the stylist was “I want the perfect burnt orange lehenga for my wedding with delicate work that looks royal.”The designer smiled. She just knew the lehenga that Shanaya wanted and brought it forward. Shanaya was in awe of the lehenga. The work, the colour, the golden threads, the hanging tassels and the dupatta, all looked like a dream come true. She was the first bride who had selected the orange lehenga that was designed in Bridespire. And even though the orange lehenga could not really talk in the real world, it shined in such a way as if it were communicating with Shanaya which is what led her to say “yes” to the orange lehenga. And so, the story of orange in Bridespire found it’s way into the hearts of many. Brides who dreamt about standing out, sisters who took over the sangeet night, mothers who kept calm on the surface and best friends who wrapped the orange dupatta around them like shared secrets. Orange holds within itself, the sacred saffron of rituals, the warmth of family laughter, the brightness of joy that refuses to be hidden. Whether you wear it as a bride draped in temples and tales or as a guest in citrus silks, orange never disappoints. It matches every skin tone, every body type, hugs every silhouette and turns every gaze into a smile. In a world full of pastels, reds and safe choices or trendy colours, orange is bold without being loud and rich without showing off. It doesn’t matter if you’re the one walking down the aisle, or holding the bride’s lehenga, or standing in a corner admiring the ceremony, if you’re wearing orange, you’ll glow like the setting sun.

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